New York – The Cinema Eye Honors for Nonfiction Filmmaking today announced the five nominees for its second annual Cinema Eye Heterodox Award, sponsored by Filmmaker Magazine. The 2012 Heterodox Award will be presented at the Cinema Eye Honors for Nonfiction Filmmaking on January 11 at the Museum of the Moving Image in Astoria, Queens, New York.
The Cinema Eye Heterodox Award honors a narrative film that imaginatively incorporates nonfiction strategies, content and/or modes of production. These films illuminate the formal possibilities of nonfiction filmmaking while raising provocative questions about on-going documentary orthodoxy and the perceived boundaries between narrative and nonfiction filmmaking. Last year’s inaugural Heterodox Award went to Matt Porterfield’s PUTTY HILL.
“As more and more nonfiction films integrate artistic fictional devices and narrative structures, and fiction films take on elements seen in documentary storytelling – the importance of artist-led conversation grows,” said Cinema Eye Honors Co-Chair Esther Robinson. “In its second year, the Heterodox Award continues to be an exciting and important home to this discussion, contributing to a rich and important cross-genre dialogue.”
The five films nominated for the second Heterodox Award are: Mike Mills’ BEGINNERS, Ivan Fund and Santiago Loza’s THE LIPS, Lech Majewski’s THE MILL AND THE CROSS, Sergei Loznitsa’s MY JOY, and Damon Russell’s SNOW ON THA BLUFF.
The Cinema Eye Honors nominations committee made its recommendations for nominations based on a list of eligible films that met the general criteria for the Cinema Eye Honors including two extra festivals that program narrative films. Finalists were then selected jointly by the committee and the writers and editors ofFilmmaker Magazine.
“In a year when the reality of our social, political and economic situation dawned on 99% percent of us, filmmakers made their own reckoning,” said Filmmaker Magazine Editor-in-Chief Scott Macaulay. “This year’s Heterodox honorees are bracing, lovely, radical and troubling – fiction features for which the purely invented is not enough.”
Inspired by their subjects — which include people, countrysides, and even a painting — the filmmakers selected for this year’s Heterodox Award let these subjects’ realities bleed into their films, creating fascinating dramas in which the world outside is given a voice and documentary tactics are skillfully deployed in the pursuit of dramatic truth.
The jury selecting the winner of the 2012 Heterodox Award consists of: Natalia Almada (Director: EL VELADOR – 2011 Cannes Film Festival; EL GENERAL – 2009 Sundance Film Festival Documentary Directing Award), Sandi Dubowski (Director /Producer: TREMBLING BEFORE G-D – 2001 Teddy Award for Best Documentary at Berlin Film Festival; JIHAD FOR LOVE), Shannon Kennedy (Editor, THE TRIALS OF DARRYL HUNT; A WALK INTO THE SEA: DANNY WILLIAMS AND THE WARHOL FACTORY – 2007 Teddy Award for Best Documentary at Berlin Film Festival), Alrick Brown (Director/Writer: KINYARWANDA– 2011 Sundance Film Festival World Cinema Dramatic Audience Award Winner), and Kimberly Reed (Director: PRODIGAL SONS – Winner, FIPRESCI Prize at Thessaloniki Documentary Film Festival).
The Five Nominees:
Beginners: Drawing from autobiographical elements, including his relationship to his dying father, Mike Mills has made a sensitive, insightful, and whimsically funny ode to romance and reinvention. Starring Ewen McGregor, Melanie Laurent and Christopher Plummer, Beginners mixes drama with not only humor but also brief documentary essays that examine everything from art to the history of California gay culture.
The Lips: Ivan Fund and Santiago Loza’s Argentine picture, “The Lips” (“Los Labios”), a subtle and challenging mix of documentary and narrative filmmaking, follows three women who deeply inhabit their cinematic roles as social workers interacting with members of an impoverished rural Argentine community. Facing desperate poverty that threatens to overwhelm even the greatest reserves of calm, humor, and empathy, the trio moves into makeshift living quarters and records data on the needs of the community, while still taking time for an occasional night out.
The Mill and the Cross: Lech Majewski’s The Mill and the Cross is an epic restaging of and journey into Pieter Bruegel’s celebrated 1564 painting, “Way to Calvary.” Rutger Hauer stars as Bruegel, Michael York is his art collector friend, and Charlotte Rampling is the inspiration for his Virgin Mary. Majewski explores not only the rich iconography of this work but, using digital technology to make his picture a dialogue with not only the past but the nature of creativity itself.
My Joy: Ukranian documentary director Sergei Loznitsa made his debut drama with My Joy, a harshly riveting journey through the countryside of contemporary Russia. Following a truck driver as he makes his various deliveries, Loznitsa draws upon his own experience shooting and traveling through the Russian provinces in this bold and terrifying film.
Snow on tha Bluff: As authentic a document of the life of a young, black, crack-dealing single parent as you will ever see, Damon Russell’s “Snow on tha Bluff” audaciously mixes footage from the camcorder of the film’s real-life inspiration with dramatic scenes to create a sometimes indecipherable mixture of real life and fiction, documentary authenticity and cultural mythmaking.
About Filmmaker Magazine
Published by IFP, Filmmaker Magazine is a quarterly publication and daily-updated website covering the art, business and craft of independent filmmaking. VisitFilmmaker Magazine at http://filmmakermagazine.com/.
About the Cinema Eye Honors and the 2012 Awards
The Cinema Eye Honors were founded in 2007 to recognize excellence in artistry and craft in nonfiction filmmaking. It remains the only international nonfiction award to recognize the whole creative team, presenting annual craft awards in directing, producing, cinematography, editing, composing and graphic design/animation. The 5th edition of the Cinema Eye Honors for Nonfiction Filmmaking will be held January 11, 2012 at New York City’s Museum of the Moving Image in Astoria, Queens. Nominees for the 2012 awards were announced on October 26, 2011. A full list of nominees can be found atwww.cinemaeyehonors.com.
Cinema Eye is headed by a core team that includes Co-Chairs Esther Robinson (director, A Walk Into the Sea: Danny Williams and the Warhol Factory; Cinema Eye nominee for Outstanding Debut, 2008) and AJ Schnack (director, Kurt Cobain About A Son and founder of Cinema Eye), Producer Nathan Truesdell (producer, Convention), Nominations Committee Chair Sean Farnel (Former Head of Programming, Hot Docs Film Festival), Advisory Board Chair Andrea Meditch (executive producer, Buck and Man on Wire) and Filmmaker Advisory Board Chair Laura Poitras (director, The Oath; Cinema Eye winner for Outstanding Direction, 2011).
Tickets for Cinema Eye Honors at the Museum of the Moving Image on January 11 are $75 for non-members and $50 for Museum Members. A limited number of tickets are available and include a post-ceremony reception. Call 718-777-6800 to reserve tickets or purchase online at: http://www.movingimage.us/visit/calendar/2012/01/11/detail/cinema-eye-honors-2012
For more information about Cinema Eye, visit the website at http://www.cinemaeyehonors.com and follow Cinema Eye on Twitter at http://www.twitter.com/cinemaeyehonors.
For more press information, contact Brian Geldin at (917) 549-2953 or email@example.com. Follow Cinema Eye on Twitter:twitter.com/cinemaeyehonors and on Facebook: facebook.com/CinemaEyeHonors